Sample individual song selections by clicking on titles below:




Click here to view Esperanza EPK

esperanza spalding
Click here to view live footage and interview





Esperanza Spalding
Esperanza

HUCD3140
UPC: 0-53361-31402-6

Release Date: May 20th 2008


esperanza spalding heads up
Click here to view the making of Esperanza footage



esperanza spalding

esperanza spalding



HEADS UP INTRODUCES ESPERANZA SPALDING,
A BRILLIANT NEW TALENT ON THE JAZZ HORIZON

Acoustic Bassist/Vocalist/Composer’s Self-Titled Debut
Set For Worldwide Release On May 20, 2008


Every few years, a new artist comes along with talent and potential so great that it challenges and redefines the common perceptions of what jazz is and where it’s heading. The new light on the horizon may be a compelling vocalist one year, or perhaps an unmatched instrumental virtuoso a few years later, or maybe a brilliant composer a few more years down the road.

Bassist/vocalist/composer Esperanza Spalding is all of these things and more. And she will, in fact, challenge and expand your perceptions of jazz.

Esperanza (HUCD 3140), her debut on Heads Up International, is set for worldwide release on May 20, 2008. Armed with uncanny instrumental chops, a siren voice that spans three languages, and composing and arranging skills that weave together the best elements of the old-school with the progressive, this 23-year-old has crafted a debut album that takes a completely fresh and refreshing approach to jazz by incorporating the rich traditions of soul, pop, world music and so much more.

Her accelerated backstory follows a breathtaking arc. A musical prodigy since her childhood in Portland, Oregon, Esperanza enrolled at Berklee College of Music at 16 and not only excelled there but eventually became the youngest professor in the school’s history. Before finishing school, she had already landed coveted touring gigs and recording projects with the likes of Patti Austin, Joe Lovano, Pat Metheny and other luminaries who were, in many cases, the shining lights of their own generations.

But even with all this early success, Esperanza approached her Heads Up debut album with an unwavering work ethic and a fierce sense of commitment to making a recording that not only captures who and where she is now, but offers a glimpse of all that she could yet achieve. “In preparing for this album, I worked really hard on my playing, my singing, my composition, everything,” she says. “I’m confident and I’m proud of what came out. I feel like it represents me at this time, and it shows the world what I’m capable of.”



read more


Photos

Download Artist Photo 1 Download Artist Photo 2
Download Artist Photo 3 Download Artist Photo 4




back to top



Download Assets:
  1. Download hi-res album cover
  2. Download artist photo 1
  3. Download artist photo 2
  4. Download artist photo 3
  5. Download artist photo 4
  6. Download profile (.doc)
  7. Download press release (.doc)
  8. Contact us
  9. International Partners


Track Listing:
  1. Ponta De Areia
  2. I Know You Know
  3. Fall In
  4. I Adore You
  5. Cuerpo Y Alma (Body & Soul)
  6. She Got To You
  7. Precious
  8. Mela
  9. Love In Time
  10. Espera
  11. If That’s True
  12. Samba Em Preludio

back to top



HEADS UP INTRODUCES ESPERANZA SPALDING,
A BRILLIANT NEW TALENT ON THE JAZZ HORIZON




Acoustic Bassist/Vocalist/Composer’s Self-Titled Debut
Set For Worldwide Release On May 20, 2008

Every few years, a new artist comes along with talent and potential so great that it challenges and redefines the common perceptions of what jazz is and where it’s heading. The new light on the horizon may be a compelling vocalist one year, or perhaps an unmatched instrumental virtuoso a few years later, or maybe a brilliant composer a few more years down the road.

Bassist/vocalist/composer Esperanza Spalding is all of these things and more. And she will, in fact, challenge and expand your perceptions of jazz.

Esperanza (HUCD 3140), her debut on Heads Up International, is set for worldwide release on May 20, 2008. Armed with uncanny instrumental chops, a siren voice that spans three languages, and composing and arranging skills that weave together the best elements of the old-school with the progressive, this 23-year-old has crafted a debut album that takes a completely fresh and refreshing approach to jazz by incorporating the rich traditions of soul, pop, world music and so much more.

Her accelerated backstory follows a breathtaking arc. A musical prodigy since her childhood in Portland, Oregon, Esperanza enrolled at Berklee College of Music at 16 and not only excelled there but eventually became the youngest professor in the school’s history. Before finishing school, she had already landed coveted touring gigs and recording projects with the likes of Patti Austin, Joe Lovano, Pat Metheny and other luminaries who were, in many cases, the shining lights of their own generations.

But even with all this early success, Esperanza approached her Heads Up debut album with an unwavering work ethic and a fierce sense of commitment to making a recording that not only captures who and where she is now, but offers a glimpse of all that she could yet achieve. “In preparing for this album, I worked really hard on my playing, my singing, my composition, everything,” she says. “I’m confident and I’m proud of what came out. I feel like it represents me at this time, and it shows the world what I’m capable of.”

Esperanza is joined in the studio by a crew of A-list session players, including flamenco guitar virtuoso Niño Josele, percussionist Jamey Haddad, drummer Horacio “El Negro” Hernández, saxophonist Donald Harrison and several other seasoned talents – all of whom collectively serve as further evidence of the kind of creative energy and magnetism that she radiates.

“All of us had the same intentions in the studio,” she says. “Everybody really gave everything we could give, because we really wanted it to be the best that it could possibly be. It was like a family affair. There are things on there that you’ll dig if you’re a jazz listener, and things you’ll dig if you’re not a jazz listener. That’s the objective – to serve as many people as possible with the music.”

The album opens with the “Ponta de Areia,” the Brant Fernando Rocha / Milton Nascimento composition made famous in the jazz world by Wayne Shorter on his Native Dancer album in 1974. Esperanza delivers the lyrics in Portuguese, with a vocal line that’s smooth and never the least bit strained. Backed by Haddad, pianist Leo Genovese, vocalist Gretchen Parlato and drummer Otis Brown III, she takes the song on a journey that’s exploratory where it needs to be, yet never prone to disharmony.

“Fall In” is Esperanza’s own composition, arranged for vocals and piano, with Genovese creating a lush bed for lyrics that ponder the potential hazards of romantic love but soar at the same time: “They say if you live in a dream you’re hopelessly lost / Well this ain’t just any old dream for our paths have crossed / And I may be hopelessly lost / But somehow I’ve managed to find heaven / And I won’t worry if we fall in love / We will never touch the ground / Just fall into a dream…”

Esperanza takes the bold step with a 5/4 time signature interpretation of “Cuerpo Y Alma” (“Body and Soul”) by singing an American jazz standard in Spanish. “The second-to-last syllable is always the one that gets the emphasis in Spanish, and that really doesn’t work for American jazz,” she explains. “It’s pretty much the opposite of the way we emphasize English lyrics in American jazz. So that was the challenge – whether I could make ‘Body and Soul,’ this well known American jazz song, swing in Spanish. In the end, I think it’s pretty killin.’”

If esperanza is the Spanish word for hope, then “Espera” is an apt title for a song that defies the cynicism of our age and envisions a better world. She sings: “I’ll keep the faith, like so many souls who won’t be drowned by evil in the world / I have faith in mankind, that we can guide our choices towards a healthy world in time to ease our bind / For only hard work through time can change men’s minds / I know if we make some small changes now / We’ll heal ourselves, some way, somehow…”

“Samba Em Preludio” is the silky, atmospheric closer driven by the minimal arrangement of Esperanza’s bass and vocals (lyrics sung in Portuguese) accompanied by Spain’s flamenco sensation Niño Josele’s subtly textured guitar. “I’m proud of my singing on this song, and the arrangement that Niño did is so amazing,” she says. “I sent him this bare-bones track, and he painted a beautiful landscape with it.

For as bold a statement as Esperanza Spalding makes in her Heads Up debut album, the obvious truth by the end of twelve tracks is that what we’re hearing is just a taste of what’s to come from this bright young star. But as first steps go, Esperanza is a giant leap. “They say you’re never supposed to apologize for your art, and I’m totally unapologetic,” she says. “I have complete confidence that this is the best record I could make, and I have the same confidence that it’s just the beginning. There are so many different things that these songs are about, so many different colors, that the only consistent theme throughout the record is me. I had my hand in so many parts of this record, and I was so adamant about keeping it how I originally envisioned it. This record really is as close to me as you can get.”


back to top



Esperanza Spalding - Profile



If “esperanza” is the Spanish word for hope, then bassist, vocalist and composer Esperanza Spalding could not have been given a more fitting name at birth. Blessed with uncanny instrumental chops, a multi-lingual voice that is part angel and part siren, and a natural beauty that borders on the hypnotic, the 23-year-old prodigy-turned-pro might well be the hope for the future of jazz and instrumental music.

“She is an irresistible performer,” says The Seattle Times. “She sings and plays bass at the same time and does a sort of interpretive dance as she plays…Her analysis of what’s going on in jazz today is perceptive.”

Irresistible. Interpretive. Perceptive. Such words are very much at the core of Spalding’s life story, but the story is anything but typical. She was born in 1984 and raised on what she calls “the other side of the tracks” in a multi-lingual household and neighborhood in Portland, Oregon. Growing up in a single-parent home amid economically adverse circumstances, she learned early lessons in the meaning of perseverance and moral character from the role model whom she holds in the highest regard to this day – her mother.

“She was very strong-willed, very independent,” says Spalding. “She did a million things. She was a baker, a carpenter, she worked in foster care homes, she worked in food service, she worked with Cesar Chavez as a labor organizer. She was an amazing woman. She was hip enough to put a lot of negative things I saw as a child into some kind of context – even before I fully understood what she was saying.”

But even with a rock-solid role model, school did not come easy to Spalding, although not for any lack of intellectual acumen. She was both blessed and cursed with a highly intuitive learning style that often put her at odds with the traditional education system. On top of that, she was shut in by a lengthy illness as a child, and as a result, was home-schooled for a significant portion of her elementary school years. In the end, she never quite adjusted to learning by rote in the conventional school setting.

“It was just hard for me to fit into a setting where I was expected to sit in a room and swallow everything that was being fed to me,” she recalls. “Once I figured out what it was like to be home-schooled and basically self-taught, I couldn’t fit back into the traditional environment.”

However, the one pursuit that made sense to Spalding from a very early age was music. At age four, after watching classical cellist Yo Yo Ma perform on an episode of Mister Rogers’ Neighborhood, the roadmap was suddenly very clear. “That was when I realized that I wanted to do something musical,” she says. “It was definitely the thing that hipped me to the whole idea of music as a creative pursuit.”

Within a year, she had essentially taught herself to play the violin well enough to land a spot in The Chamber Music Society of Oregon, a community orchestra that was open to both children and adult musicians. She stayed with the group for ten years, and by age 15, she had been elevated to a concertmaster position.

But by then, she had also discovered the bass, and all of the non-classical avenues that the instrument could open for her. Suddenly, playing classical music in a community orchestra wasn’t enough for this young teenager anymore. Before long she was playing blues, funk, hip-hop and a variety of other styles on the local club circuit. “The funny thing was, I was the songwriter, but I had never experienced love before. Being the lyricist and the lead singer, I was making up songs about red wagons, toys and other childish interests. No one knew what I was singing about, but they liked the sound of it and they just ate it up.”

At 16, Spalding left high school for good. Armed with her GED and aided by a generous scholarship, she enrolled in the music program at Portland State University. “I was definitely the youngest bass player in the program,” she says. “I was 16, and I had been playing the bass for about a year and a half. Most of the cats in the program had already had at least eight years of training under their belts, and I was trying to play in these orchestras and do these Bach cello suites. It wasn’t really flying, but if nothing else, my teachers were saying, ‘Okay, she does have talent.’”

Berklee College of Music was the place where the pieces all came together and doors started opening. After a move to the opposite coast and three years of accelerated study, she not only earned a B.M., but also signed on as an instructor in 2005 at the age of 20 – an appointment that has made her the youngest faculty member in the history of the college. She is the 2005 recipient of the prestigious Boston Jazz Society scholarship for outstanding musicianship.

In addition to the studying and the teaching, the Berklee years have also created a host of networking opportunities. Since her move to the East Coast, Spalding has worked with several notable artists, including pianist Michel Camilo, vibraphonist Dave Samuels, bassist Stanley Clarke, guitarist Pat Metheny, singer Patti Austin and saxophonists Donald Harrison and Joe Lovano. “Working with Joe was terrifying,” she recalls, “but he’s a really generous person. I don’t know if I was ready for the gig or not, but he had a lot of faith in me. It was an amazing learning experience.”

The newest chapter of Spalding’s journey begins with the release of her forthcoming international debut recording for Heads Up in May 2008. The album will be the first opportunity for a worldwide audience to witness her mesmerizing talents as an instrumentalist, vocalist and composer, but it’s just the start of what she hopes to achieve in a career where the creative opportunities are almost limitless.

“I think there are some outside forces that have blessed me with creative talents, and I don’t want to disrespect whatever plan the cosmos or the heavens or God or whoever might have for me,” she explains. “But based on what I know about myself right now, what I really want to do is reach people. I want to make great music, but I also want to use that talent to lift people up, and maybe show them some degree of hope where there might not be any in their lives. My name means ‘hope’ in Spanish, and it’s a name I want to live up to.”



back to top


Contact Us
Heads Up International
23309 Commerce Park Road
Cleveland, OH 44122
USA
Phone: 216.765.7381
Fax: 216.464.6037

Artist Website
www.esperanzaspalding.com
www.myspace.com/esperanzaspalding
Dave Love
President
dave@headsup.com

Natalie Singer
Product Manager / Executive Assistant
nsinger@headsup.com

Kajo Paukert
VP of International Sales
kajo@headsup.com

Amanda Sweet
Director of Publicity
Phone: 202.636.3507
asweet@headsup.com

Neal Sapper
US Radio Promotion
Phone: 415.453.1558
NewWorldJz@aol.com

Doug Ashland
Marketing Manager
doug@headsup.com





For Management Information:
Daniel Florestano
Montuno Productions
+34 93 467 32 34
daniel@montuno.com


For Booking Information:

Tom Korkidis
IMN
(978) 283-2883
tom@imnworld.com





Lynne Hoffman-Engel
VP of Domestic Sales
lhoffman@headsup.com

Mike Wilpizeski
VP of Publicity
Phone: 718.459.2117
mikew@headsup.com

J. Linder
Marketing Director
jlinder@headsup.com

Kelly Johanns-DiCillo
Tour Publicity
kjohanns@headsup.com

Tim Parnin
New Media Marketing Manager
tparnin@headsup.com

Ordering Online

sales@headsup.com

back to top



International Partners  
USA
Fontana Distribution
Tel: 877.878.3668
Web: http://www.fontanadistribution.com/

Australia
Fuse Music Group
23 David St.
Brunswick
Tel: 03 9388 0444
Fax: 03 9388 0400
Email: fusebox@fusemusic.com.au/
Web: http://www.fusemusic.com.au/

Austria
Edel Musica Vertriebs GmbH
Lustenauerstrasse 27
Dornbirn
Tel: 0043 5572 23494
Fax: 0043 5572 23498
Email: Info_Austria@edel.com

Belgium
Codaex
Prinsengracht 17
1015 DK Amsterdam
tel. +31 (0) 20 6129724
fax. +31 (0) 20 6894405
Email: nl@codaex.com

Brazil
Calber Music
975, CJ 31
Morumbi
Sao Paulo
Tel: 011 3744 9720
Fax: 011 3742 7423
Email: info@calbermusic.com.br

Canada
Universal Music Canada
2450 Victoria Park Ave.
Willowdale
Ontario
Tel: (416) 718-4057
Fax: (416) 718-4222
Email: canada.webmaster@unistudios.com

China
Universal Music Ltd. (China Division)
6/F Railway Station Plaza
39 Chatham Road South, T,S,T
Kln, H.K.
Tel: (852) 2301 5637
Fax: (852) 2301 4391
Email: connie.cheung@umusic.com

Croatia
Dinaton
Vlaska 12
A. Cesarca 5
Zagreb
Tel: 01 492 38 91
Fax: 01 492 38 91
Email: dinaton@pop.tel.hr

Czech Republic
Biskupcova 26
Prague
Tel: 02 69 73272
Fax: 02 71 773405
Email: classic@telecom.cz

Denmark
Mis Label
Jellingvej 6
Svenstrup
Tel: 098 38 04 04
Fax: 098 38 29 28
Email: mislabel@post1.tele.dk

Finland
Oy Fg-Naxos Ab
Karjalankatu 2 A, 4th floor
00520 Helsinki
Finland
Tel: +358-(0)9-6153 615
Email: info@fg-naxos.fi
Web: www.fg-naxos.fi

France
Socadisc
41 rue Emile Zola
Montreuil
Tel: 01 64 91 90 90
Fax: 01 64 91 90 99
Email: sed@club-internet.fr

Germany
In-Akustik GmbH & Co.
Untermatten, 14
Ballrechten-Dottingen
Tel: 07634 5610 29
Fax: 07634 5610 80
Email: music@in-akustik.com
Web: http://www.in-akustik.com/

Greece
Greek Record Club
57 Akadimias Street
Athens
Tel: 01 363 1819
Fax: 01 363 2277
Email: grc@compulink.gr

Hong Kong
Universal Music Ltd.
23rd Floor Westin Centre
26 Hung To Road
Kwun Tong, Kowloon
Tel: (852)231 05678
Fax: (852)231 17220
Email: umgch01@netvigator.com

Hungary
Karsay Es Tarsa KFT
Versec Sor 15
Budapest
Tel: 01 200 6443
Fax: 01 200 9650
Email: karsay@mail.hu

Iceland
12 Tonar
Skolavordustig 15,
Reykjavik
Tel: 01 511 5656
Fax: 01 511 5657
Email: 12tonar@12tonar.is

India
Jelly Bean Inc.
#48 Cubbon Road
Bangalore
Tel: 080 509 6741
Fax: 080 553 5668
Email: prithvijellybeaninc@yahoo.com

Indonesia
Pt. Suara Sentral Sejati
Jl. Pluit Permai 7
No. 8 Jakartia-Utaza
Tel: 021-662-6935
Fax: 021-662-6931

Ireland
New Note Distribution Ltd.
Electron House
Cray Avenue
Orpington
Tel: 01689-877-884
Fax: 01689-877-891
Email: mail@newnote.com
Web: http://www.newnote.com/

Israel
NMC Music Ltd.
29 Sharet Street
Rishon-Lezion
Tel: 03 953 2532
Fax: 03 952 2050
Email: info@nmc-music.co.il
Web: http://www.nmc-music.co.il/

Italy
International Record Distribution S.p.A
Jazz/Blues
via San G.B. De La Salle, 4
20132 Milano
Tel: +39 02 2591700
Fax: +39 02 2592064
Email: ird@ird.it
Web: http://www.ird.it/

Japan
Universal Music KK
3F, 8-5-30 Akasaka
Minato-Ku
Tokyo
Tel: +81-3-6406-3033
Fax: +81-3-6406-3135
Web: http://www.universal-music.co.jp/

Jordan
Music Master
P.O. Box 6675
Jeddah
Tel: 02 660 70 20
Fax: 02 665 75 15
Email: gpd@gpd.com.sa
Web: http://www.music-master.com/

Lebanon
Music Master
P.O. Box 6675
Jeddah
Tel: 02 660 70 20
Fax: 02 665 75 15
Email: gpd@gpd.com.sa
Web: http://www.music-master.com/

Luxembourg
Codaex
Prinsengracht 17
1015 DK Amsterdam
The Netherlands
tel. +31 (0) 20 6129724
fax. +31 (0) 20 6894405
Email: nl@codaex.com
Web: http://www.challenge.nl/

Malaysia
Universal Music Sdn. Bhd.
102, Block C, Phileo Damansara 1
Jalan 15.11, 46350 Petaling Jaya
Slangor Darul Ehsan
Tel: 03 758 7433
Fax: 03 754 6198

New Zealand
Elite Import
13 Matuku Place
Atawhai
Nelson
Tel: 03 545 0800
Fax: 03 545 0802
Email: interdisc@clear.net.nz

Norway
Naxos Norway A/S
Munkerudstubben 2
Fagerstrand
Tel: 066 96 5540
Fax: 066 91 0202
Email: info@naxos.no

Peru
Palco SA
Av. Jorge Chavez 294
Miraflores
Lima 18
Tel: 014 447 1978
Fax: 014 444 1442
Email: palcosa@pol.com.pe

Philippines
MCA Universal
#28 Mangga Road
Kaunlaran, Cubao
Quezon City, Metro Manila
Tel: 02 727 40 11
Fax: 02 726 28 51
Email: mca_univ@compass.com.ph

Poland
Beat Music Distribution
os. 700 Lecia 1/82
Zory
Tel: 032 230 20 16
Fax: 032 230 20 16
Email: beatmusic@heros.juni.gliwice.pl

Portugal
Andante-Discos Musica E. Som, LDA
Av. Boavista 1471-L 8
Porto
Tel: 022 606 3518
Fax: 022 606 3416
Email: andante@hotmail.com

Puerto Rico
Disco Hit
P.O. Box 13895
623 Cerra, P.D.A. 15
Santurce, Puerto Rico 00908
Tel: 787-723-4942
Fax: 787-724-2561
Email: discohit@prtc.net

Republic of Trinidad
Sanch Electronix, LTD.
16 Riverside Road
Curepe
Tel: (868) 663 1384
Fax: (868) 645 2205
Email: sanch@carib-link.net

Russia
Purple Legion
RSK Universal Trading
1 Novokuznetskaya Street
Moscow
Tel: 095 953 6036
Fax: 095 953 4652
Email: p-legion@mtv-net.ru
Web: http://www.purplelegion.com/

Saudi Arabia
Music Master
P.O. Box 6675
Jeddah
Tel: 02 660 70 20
Fax: 02 665 75 15
Email: gpd@gpd.com.sa
Web: http://www.music-master.com/

Singapore
Universal Music Pte. Ltd.
118 Lorong 23 Geylang
#03-01 to 04
SCN Industrial Building
Tel: (65) 741-2220
Fax: (65) 741-0500 / 741-1266

Slovakia
DIVYD
Bartokova 6,
Bratislava
Tel: 07 54433 888
Fax: 07 54434 387
Email: divyd@divyd.sk
Web: http://www.divyd.sk/

Slovenia
INTEK Ltd.
Cankarjeva
SI - 4000 Kranj
Tel: +386 4 2363 430
Fax: +386 4 2363 434
Email: intek@siol.net
Web: http://www.intek.si/

South Africa
Sheer Sound CC
Ground Fl, Block A, Sanhoven
12 Pongolo Crescent, East Gate
Sandton, Johanesburg
Tel: 2711 444 1818
Fax: 2711 444 2275
Email: damon@sheer.co.za
Web: http://www.sheer.co.za

South Korea
Synnara Music Co., Ltd.
9th Fl. Dongwon Bldg.
291-8 Hawangsipri-Dong
Sungdong-Gu
Tel: 82-2-2298-4627
Fax: 82-2-2298-4628

Spain
Discos Enfasis
Eugenia de Montijo 59
28025 Madrid
Spain 28025
Tel: 349-1466-4334
Fax: 349-152-50001
Email: enfasis@sp-editores.es
Or enfasis@grapesadsl.com

Sweden
CMM Naxos
Grev Turegatan 21
Stockholm
Tel: 08 545 86950
Fax: 08 545 86454
Email: cmm@naxos.se

Switzerland
Musikvertrieb AG
Badenerstrasse 555
Zurich
Tel: 01 497 1700
Fax: 01 497 1727
Email: info@musikvertrieb.ch
Web: http://www.musikvertrieb.ch/

Taiwan
Sunrise International Enterprise Corp.
77-4 Chungshan North Road
Section 2
Taipei
Tel: 02 2511 8595
Fax: 02 2581 5849
Email: s5518085@ms1.hinet.net
Web: http://www.sunrise-records.com.tw/

Thailand
Universal Music Bangkok
540 Mercury Tower, 11th Floor
Ploenchit Road, Lumpini
Pathumwan, Bangkok
Tel: 02 658 6230
Fax: 02 658 6245

The Netherlands
Codaex
Prinsengracht 17
1015 DK Amsterdam
The Netherlands
tel. +31 (0) 20 6129724
fax. +31 (0) 20 6894405
Email: nl@codaex.com
Web: http://www.challenge.nl/

Trinidad
16 Riverside Road
Curepe
Republic of Trinidad
Tel: 868-663-1384
Fax: 868-645-2205
Email: sanch@carib-link.net
Web: http://www.sanch.com/

Turkey
RKD Limited
Kucuk Camlik Sitesi
Esra Sokak # 2B
Ulus - Istanbul
Tel: +90-212-358 22 89
Fax: +90-212-257 74 32
Email: rkdltd@prizma.net.tr

Ukraine
Trade Music Express
Prospect 50 Let Octyabrya
Kiev
Email: digi@i.com.ua

United Arab Emirates
Music Master
P.O. Box 23076
Dubai
Tel: 04 2952221
Fax: 04 2954441
Email: music@music-master.com
Web: http://www.music-master.com/

United Kingdom
New Note Distribution Ltd.
Electron House
Cray Avenue
Orpington
Tel: 01689-877-884
Fax: 01689-877-891
Email: mail@newnote.com
Web: http://www.newnote.com/


back to top